This blog is welcome news for me and others interested in the Chicago fair. I wrote my dissertation about Japan at the World’s Columbian Exposition of 1893 and how Japan used art and architecture as a form of cultural diplomacy. I look forward to exploring their resources and building new bridges with others’ fascinated with this exposition. If you are reading this and are interested in world’s fairs, history, or Meiji era (1868-1912) Japan and its art, diplomacy, and gender representations, let me know, I am happy to share resources.
Strategies and conventions for depicting spatial recession in paintings differ (of course) among cultures, locations, time periods, and functions of artworks. Teaching students the conventions of Chinese landscape painting who are unfamiliar with art, let alone arts of many cultures, presents many challenges. I recommend all four of the posts but particularly point to this one for explaining panorama and strategies for depicting space in horizontal scrolls.
Source: Figure Painting (人物畫)
Mr. Siu has posted another excellent blog post. For those who can read Chinese characters, his many essays, fully sourced and illustrated, includes useful transliteration of what can often be difficult to read calligraphy. At the end of each essay you will also find bibliography and webliography in English and Mandarin sources. Enjoy!
As I was saying yesterday, their illegal pillaging of cultural artifacts has a broader, troubling, context.
“Prosecutors said in the complaint that Hobby Lobby, whose evangelical Christian owners have long maintained an interest in the biblical Middle East, began in 2009 to assemble a collection of cultural artifacts from the Fertile Crescent. The company went so far as to send its president and an antiquities consultant to the United Arab Emirates to inspect a large number of rare cuneiform tablets — traditional clay slabs with wedge-shaped writing that originated in Mesopotamia thousands of years ago.”